The Frogs
Summer 2004, Issue 38










A Leap of Fate
by Nathan Lane

Buffoonery & Bathos: Aristophanes' The Frogs
by Charles Rowan Beye

Savoring a Moment:
A Conversation with Stephen Sondheim

The Slippery Art of the Score
by Mark Eden Horowitz

A Picasso Twist
An Interview with Susan Stroman

The Beauty of Survival:
Tim Rollins and K.O.S.

The Big Splash: 1941
by Thurston Twigg-Smith

A View from the Chorus: 1974
by Christopher Durang

How High Should I Jump?:
A Visit with William Ivey Long

The Fearless Bernard Shaw
by Michael Holroyd

The Bright Young Light: Rembering Burt Shevelove
by Larry Gelbart and Dominick Dunne











We can’t imagine a better way to cap twenty years of presenting theater at Lincoln Center Theater than with a production of the ultimate play with a past—The Frogs. The journey of this provocative, irreverent show includes a history that jumps from the ancient Theater of Dionysos carved into the rock of Athens to the resounding tiles of the Yale University swimming pool to our very own Vivian Beaumont Theater here in New York City. In the pages that follow, distinguished writers and scholars, former cast members, theater luminaries, old friends and brilliant collaborators join in an animated conversation about how this hilarious and touching musical came to be, its deep connection to periods of war and how the power of the written word might save the wretched world. With so many Tony Award–winning artists creating this newest incarnation of The Frogs while our nation is again at war, surely this production is akin to Ariadne’s crown flung into the heavens—a constellation of stars to wish on and ease our hearts in the night sky. Those of you who have seen our two great Shakes-peare plays in contrasting productions this season may especially appreciate this bawdy, funny musical in which Shakespeare emerges as a possible savior of humankind.

—The Editors

LCT CELEBRATES 20 YEARS OF PRODUCTIONS
Prairie du Chien/The Shawl
The House of Blue Leaves
Juggling and Cheap Theatrics
Terrors of Pleasure
Sex and Death to the Age 14
Swimming to Cambodia
Asinamali!
Bopha!
Children of Asazi/Gangsters
Born in the R.S.A.
The Transposed Heads
The Front Page
Bodies, Rest and Motion
Danger: Memory!
Death and the King’s Horseman
The Regard of Flight
The Comedy of Errors
Anything Goes
Sarafina!
Boys’ Life
Speed-the-Plow
I’ll Go On
Road
Waiting for Godot
Our Town
Measure for Measure
Ubu
Oh, Hell
The Tenth Man
Some Americans Abroad
Six Degrees of Separation
Monster in a Box
Township Fever
Mule Bone
Mr. Gogol and Mr. Preen
Two Shakespearean Actors
The Most Happy Fella
The Substance of Fire
Four Baboons Adoring the Sun
The Sisters Rosensweig
My Favorite Year
Playboy of the West Indies
In the Summer House
The Lights
Abe Lincoln in Illinois
Gray’s Anatomy
Hello Again
Carousel
subUrbia
Hapgood
The Heiress
Arcadia
Twelve Dreams
Chronicle of a Death Foretold
Northeast Local
Racing Demon
A Fair Country
A Delicate Balance
Sex and Longing
It’s a Slippery Slope
Juan Darién
God’s Heart
An American Daughter
The Little Foxes
Ivanov
Pride’s Crossing
Ah, Wilderness!
A New Brain
Twelfth Night
Parade
Far East
Via Dolorosa
Ancestral Voices
Ring Round the Moon
It Ain’t Nothin’ but the Blues
Contact
Marie Christine
Morning, Noon and Night
The Time of the Cuckoo
Rose
Spinning into Butter
Matters of the Heart
Old Money
Ten Unknowns
The Invention of Love
Chaucer in Rome
Thou Shalt Not
Everett Beekin
QED
Barbara Cook in Mostly Sondheim
The Carpetbagger’s Children
Morning’s at Seven
A Man of No Importance
Dinner at Eight
Observe the Sons of Ulster...
Vincent in Brixton
Elegies: A Song Cycle
A Bad Friend
Henry IV
Nothing but the Truth
Big Bill
King Lear
Barbara Cook’s Broadway
The Frogs





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