Lincoln Center Theater Review

			A Bad Friend Spring 2003, Issue 35 In a play commissioned by Lincoln Center Theater, Jules Feifferthe Pulitzer Prizewinning satirist, artist, author, and playwrightreturns to the stage with a story that, though set against a backdrop of 1950s Brooklyn, offers striking parallels to the present day. Jules Feiffers A Bad Friend evokes a time of intense contradiction: of innocence and paranoia, idealism and disenchantment, suspicion and fierce, unexamined belief.
			Dinner at Eight Winter 2003, Issue 34 "Just as Dinner at Eight first appeared at the beginning of a dangerous and difficult new era that its authors imperfectly understood, writes George Packer in the insightful and provocative piece that opens this issue of the Lincoln Center Theater Review, the current production goes up with Americas economic health shaky and its future clouded by the threat of war.
			A Man of No Importance Fall 2002, Issue 33 In this issue of the Lincoln Center Theaer Review, we turned to four of our favorite writers--the best-selling novelist Ann Packer, the playwright Richard Greenberg, the acclaimed novelist and short-story writer Mark Slouka, and the journalist and nonfiction author Rich Cohen--and asked them: Who is your secret hero? In what circumstances did your kinship with him or her emerge?
			Mornings At Seven & The Carpetbagger's Children Spring 2002, Issue 32 This issue was inspired by the Pulitzer Prize-winning playwright, Horton Foote's, new play The Carpetbagger's Children and a revival of Paul Osborn's Morning's At Seven. Set in small towns in Texas and the Midwest, both conjure an America that has all but vanished, but whose mythic innocence loons larger than ever in the country's imagination.
			Everett Beekin Winter 2001, Issue 31 This issue revolves around the new play by award-winning playwright Richard Greenberg, Everett Beekin. Set in California and on New Yorks Lower East Side, Everett Beekin raises wonderfully unsettling questions about the vagaries of memory, the protean nature of the past, and the reassuring power of invented truththe stories we create to fill gaps in our knowledge about ourselves, our history, and the people we love.
			Thou Shalt Not Fall 2001, Issue 30 Inspired equally by clasical French literature and the Blues, Thou Shalt Not is at once a bold, modern adaptation of Émile Zola's novel Thérèse Raquin, written in 1867, and a jazz-infused celebration of New Orleans music and culture; a fiery love story and a grisly morality tale in which a murder carried out in the name of passion drives its lovers to madness. What could we bring to Susan Stroman's vibrant new production?
			Chaucer In Rome Summer 2001, Issue 29 Inspired by playwright John Guare's latest play, Chaucer In Rome, this issue of the Lincoln Center Theater Review "explores the nature of pilgrimage--religious and artistic--and, in particular, the lure of Italy, the mesmerizing power of Rome over generations of seekers and artists."
			The Invention Of Love Spring 2001, Issue 28 As Part of a special double issue publishing with Issue Number 27, this issue focuses on Tom Stoppard's play The Invention of Love.
			Ten Unknowns Winter 2001, Issue 27 As Part of a special double issue publishing with Issue Number 28, this issue focuses on Jon Robin Baitz's play Ten Unknowns.
			Old Money Fall 2000, Issue 26 This issue of the Lincoln Center Theater Review delves into New York society and its preoccupations... The articles in this issue address New York society and money--both old and new. We also investigate the architecture of the homes and gardens that adorned this world.
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