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Spinning Into Butter Summer 2000, Issue 25
This issue of the Lincoln Center Theater Review focuses on some of the thorniest questions rasied by Rebecca Gilman's Spinning Into Butter: what assumptions do people of different races make about each other?; can integration change those stereotypes?; how?...
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The Time of the Cuckoo Winter 2000, Issue 24
Time of the Cuckoo is set in Venice in the early 1950s, and the first meaning that springs to mind is the Italian tradition that the time when the cuckoos return is the time for love. But the play ranges through the questions of what home is, whether one can take it abroad, whether one should, whether one can ever be truly at home in another nest. These articles explore the play and the notion of traveling, particularly in Italy.
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Marie Christine and Contact Fall 1999, Issue 23
Lincoln Center Theater Review has gotten moody. In this issue, which includes articles on Michael John LaChiusa's new musical, Marie Christine, and Susan Stroman and John Weidman's dance-play, Contact, we address the difficult question of how artists create a mood...
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Directors Lab: r e n e w a l Summer 1999, Issue 22
This magazine was founded eleven years ago as a journey of ideas about theater. This issue, celebrating the fifth anniversary of the Lincoln Center Theater Directors Lab, extends that mandate: it is a journal of ideas about the future of theater.
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Via Dolorosa and Ring Round The Moon Spring 1999, Issue 21
Ring Round The Moon and Via Dolorosa couldn't seem more different. Yet we've found that thinking about these plays and their authors together has created an illuminating cross-pollination of ideas about how we use art to understand the society around us.
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Parade Fall 1998, Issue 20
This issue of the Lincoln Center Theater Review focuses on the always wondrous process of creating musicals and on the background to this new musical, Parade.
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Twelfth Night Summer 1998, Issue 19
Why Twelfth Night, and why now? This Shakespeare issue will tell you; it also will give some background on this production and insight into some of the issues Twelfth Night raises.
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Ah, Wilderness! and A New Brain Spring 1998, Issue 18
This issue brings together two plays that explore ideas about family and memory.
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Pride's Crossing and Ivanov Fall 1997, Issue 17
What was Chekov thinking as he rewrote Ivanov again and again? How did a sign in the Public Theater and Tina Howe's aunt combine to inspire her to write Pride's Crossing? Is the collaboration between an actor and a director who have known each other for years different from a first-time collaboration? Where do designers get their ideas, and how do they bring them to the stage? The pieces in this issue, including letters from Anton Chekov, a conversation between Kevin Kline and Gerald Gutierrez, John Lee Beatty's set-design scrapbook, and appreciations from several colleagues of the actress Cherry Jones, will give some idea.
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An American Daughter Spring 1997, Issue 16
"Wendy Wasserstein's An American Daughter became the inspiration for this politcs and theater issue."
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